The tutorial is just under 30 minutes and is primarily focused on basic video editing. This beginner tutorial is broken into chapters so you can skip with ease to find what lessons are most important or go back and replay certain sections for better understanding. Final Cut Pro X – Complete Tutorial for Beginners! Note that Final Cut Pro is a robust tool, but it is only available for the Mac. We’ve rounded up some of the best Final Cut Pro tutorials out there for beginners to help you make the most of this software. Thanks to great tutorials from pros, you’ll be able to capture just the right moment, with the right effect quickly. Solution: You need a stellar tutorial that walks you through all the steps in this increasingly popular video editing tool. Overall, when adjusting this video, I want these whites on the left (corresponding to the whiteboard) at 100, the blacks at 0, and the facial regions to be in the 70-75 range.Goal: Edit videos, add effects, and create better productions with ease in Final Cut Pro. In Figure 5 (above) you can see we're probably at around 60 IRE, so I want to boost that. Now, typically when you're shooting with your zebra stripes, you want facial exposure at around 70-75 IRE at the brightest regions. And the brownish pixels in the middle of the waveform are the candidate's face. ![]() The pixels just to the right of them in the waveform correlate to the black line at the right edge of the whiteboard in the image. So, if you look at the pixels circled on the left in Figure 5 (below) you know they correspond to the whiteboard in the image. The waveform shows you the same basic brightness information as the histogram, but presents pixels at their respective location in the frame. When adjusting brightness in the face, it's best to work in the waveform monitor (Settings > Display > Waveform, as shown in Figure 4, below). The third region you consider when adjusting contrast is the face, but the histogram really doesn't help us with that. ![]() So, we see we have a problem with the brightness of the white pixels, as well as the blacks. Under optimal lighting, whites should be around 100 IRE but most are clustered in the 80s. So, this tells us that the image lacks contrast.įigure 3 (above) shows the grays, blacks, and whites in the image, and where they appear in the histogram. In this video, we know we have issues because there's plenty of black in the frame ( Figure 3, below), but the histogram shows us no pixels at the 0 IRE level (Figure 3, below), which is where the black pixels should sit. In a well-lit, well-contrasted video with pure white and pure black regions, like this one, you'd want to see pixels at all brightness values from 0 to 100. The clumps you see in Figure 2 (above) show the groups of pixels at those brightness values. Specifically, the histogram shows the distribution of pixels according to brightness, from a scale of -25 to +125, with 0 as pure black, and 100 as pure white. ![]() We'll begin by opening that. To do so in FCP X, choose Window > Show Video Scopes ( Figure 1, below).įigure 2 (below) shows that we've set the histogram to present the Luma channel, which is the measure of brightness. And you can see that most clearly in the histogram scope. One definition of contrast is the differential between the brightest and darkest pixels in the image. I shot the speech indoors under fluorescent lights. Although the color balance is fine, it lacks contrast and it's pretty noisy, as you can see in the video above. We'll deal with the noise issue in a later tutorial. ![]() In this tutorial you'll learn how to maximize the brightness and contrast of your video in Apple Final Cut Pro X. I'm working with video I shot recently of local congressional candidate Anthony Flaccavento.
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